Monday, October 3, 2011

The Proof Is On Fire

In case you haven't figured it out, this Thursday's Melrose show, "The Butcher Kings," with art from Alex Pardee & Skinner is going to be both fun and twisted.

I know we've kept this show in a shroud of utter secrecy, but we figured we'd let you in a little. Here's a statement from the Kings themselves:


When Skinner and I met in the late 90's, the Internet hadn't yet been integrated as a common marketing tool for artists and musicians, and the actual outlets that WERE available for us to spread our imagination and artwork out to were limited to friends, family, schools, the local comic shops and the occasional small cafe-galleries and musical acts that catered toward non-traditional artwork. The bi-product of being undeniably driven by the passion to create without having outlets for either critiques OR validations, however, was that we both created our artwork strictly for ourselves and to make US happy. Over the course of the last decade, as the Internet has become a more common and extremely useful tool in all aspects of art appreciation, execution, networking, and entrepreneurism, Skinner and I have attempted to adapt our thinking and artistic approaches in conjunction with this accelerated technology, but on numerous occasions we have also caught ourselves falling victim to this new widespread accessibility to our artwork.

The Internet provides such a rapid firing of both criticism and praise that, over the course of the last few years, has made both Skinner and I almost TOO aware of what people will like or dislike when our work is displayed publicly, causing us to recently questions just who we are no creating art for. Are our imaginations subconsciously aware more so now of what others will think about our art? Are we now being secretly driven to create something that more people can "relate" to in hopes that we will in turn get more Twitter followers and more Facebook likes and somehow transcribe that invisible validation to more monetary success? In short, Skinner and I both realized that, for whatever reasons, we were taking ourselves too seriously.

Well, f*ck that.

We missed creating art with the sole purpose of making ourselves smile and laugh. We missed no caring if we "lose a follower" by offending someone with a drawing of a demonic dick if that dick was fun to draw. And trust us, dicks are fun to draw. And they are hilarious.

So in an attempt to re-unite our fearlessness, and to simply have fun using our separate memories and inspirations as our tools, Skinner and I present to you, "THE BUTCHER KINGS."

Using existing pop culture icons that we adore, and mutually drawing inspiration from various sources including Gary Larsen's 'The Far Side', Jack Kirby, Wheel of Fortune, Carrot Top, Filmation Cartoons, Robot Chicken & Aqua Teen Hunger Force, we imagined what would happen if all of a sudden the memories of every pop culture property has begun to be torn apart by an unknown force and, in order to save the memories from total eradication, had to be gathered and reassembled by someone who was goofy, cynical, socially inept and slight insane. That us.



Well, don't say you weren't warned.

Disclaimer: A lot of the artwork that will be displayed in this show are of an adult nature. Since a majority of our shows at Gallery1988 are child-friendly, we suggest this is one that the little ones should sit out.

G1988 (Melrose)

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